In the last post, I put an old photograph of a photo album
that I made for my parents. This photo shows what can be done when a project is
“antiqued.” It is still one of my favorite ways of adding a little more
character and patina to a project. The other thing is that it does not take a
lot of it to go a long way and for the most part, it is a one-coat application.
In looking back at the photo of the album, it is hard to
detect that I sealed the pattern with a lacquer finish to “resist” the antique
finish. This is the time consuming part of antiquing a project because it is
necessary to brush the seal or resist coat on the pattern. I feel it is
necessary to put a second coat of sealer on the pattern to make sure that
everything is completely coated. The photo below shows the pattern with just
one coat.
Pattern sealed with one coat of acrylic sealer |
If you can, look closely at the photo and you will notice
that there is a bit of a dull shine on the pattern. This is only one coat of
sealer. I used Fiebing’s Acrylic Resolene to seal the pattern. The first coat
Resolene soaks into the leather and it possibly will seal the pattern well
enough that one can safely apply the antique finish. However, I put the second
coat on because I know that I may not have gotten a small section of the
pattern covered.
It is worth the time and effort to put a second coat of
sealer on the pattern. I did not try to leave an area of the pattern that was
not coated with the Resolene. I did not try to leave a portion of the pattern
uncoated because I probably would have covered it on the second coat of
Resolene anyway. The photo below shows that pattern with a second coat of
Resolene. Notice that the pattern has more of a shine with the second coat than
with the first. That shine means that the first coat of Resolene is covered!
Pattern sealed with two coats of acrylic sealer |
I mentioned that I used Resolene to seal the pattern on this
little project. I am impressed with the way that it turned out. In the past, I
have used leather lacquers such as Tandy’s NeatLac and Fiebing’s Lac Kote to
seal the pattern. Incidentally, I just did a search for Fiebing’s Lac Kote and
found nothing about it on the Fiebing Website. I cannot comment one way or the
other on this matter. One thing that I will comment on though is that the odors
are much less with the Resolene.
Impressed as I was with the Resolene, I have not used it to
put a finish coat on a completed project. I will apply it to example piece that
I just finished antiquing. I will try to
remember to post a photo of it after I have given it a good coat of the
Resolene.
The photo shown below is a little out of focus and I
apologize for that. It shows the top of the open jar of antique finish. This
particular antique finish is a paste that require some preparations before
using. If you look closely, you might notice some small lumps in the paste. I
believe that the lumps are unmixed antique finish.
View of the top of the jar of antique finish |
I was in a hurry to
get this little project finished so that I could post photographs of the
process that I did not take the time to do the job right. I think that the
lumps are in there because it is a brand new jar that I had kept in my
garage/shop for over a year and it was exposed to a variety of temperatures. It
was cool in my shop when I first opened the jar and began antiquing. I probably
should have warmed up it up before I attempted to mix it up. I will try warming
the jar up to at least 60-63 degrees before shaking it up.
The photo on the left just below this text shows the jar of
antique finish prior to shaking. The dark spots are areas where the solvents or
liquid portions of the paste have separated. The photo on the right shows the
difference after the shaking the jar vigorously for a few minutes. Please let
me reiterate, I had this jar of antique finish around for at least a year and
it was not at room temperature but it did work very well. I do not recommend
that you store your antique finish in this manner. You might not be as luck as
I was this time.
Antique finish before shaking Antique finish after shaking
The next thing that one needs to think about when proceeding
with antiquing the project is getting the sealer on the pattern. I realize that
this might seem out of place now, but I have a bit of a method to my madness.
The photo below shows the sealer in a small container, which makes it easier
for dipping the brush. The brush shown is a good size for applying the sealer
as long as care is taken not to go over the edges of the pattern. Going over
the edges is like coloring outside of the lines. It does not look good when it
happens. I do have a photo of what it looks like when going over the edges is
done. I will include in a later post on antiquing your project.
Brush and cup with acrylic sealer |
When applying the sealer to your pattern you will want to
decide where you should begin. There are not hard and fast rules as to what
part of the pattern you do first. Just try to remember what you have done and
what you have not coated. Always work in a well-lit area so that you can more
easily tell what you have or have not coated. You can load your brush pretty
full if you start in the middle of a leaf. What I like to do is get a bit of a
puddle in the middle of an area and then use it to dip my brush in to pull it
to the outside edges of that area. I am very careful to keep my brush close to,
but not going over the edge.
I like to wear gloves when I am ready to apply the antique
finish to the leather project. I have been known to use plastic wrap instead of
gloves, but that gets tricky trying to get the job done and not get the paste
on your hands. In the beginning, I did not wear gloves because I did not have
any and I was not concerned about getting it on my hands. It did not bother me
to have the dark brown stains under my fingernails or have the skin on my thumb
and fingers a little different color than the rest of my hand. Mind you, I did
do my best to get the black out from under my fingernails with file, but the
stains were there until they wore off.
I would recommend using either latex or nitrile disposable
gloves for applying the antique finish. That way when you are finished you can
toss them when you are finished with the project. The problem with using some
rubber gloves repeatedly is that the antique finish will stay in the rubber and
might cause staining where you do not want it. This would be especially bad if
you had already sealed the whole pattern on your project. It would be almost
impossible to remove the stain if the pattern had been sealed already. Any
product that you would use to remove the stain would more than likely stain the
leather where it was used. The photo below shows a pair of disposable nitrile
gloves that I used to antique this project. I got them on sale and that is the
only reason that I chose these over latex gloves.
Nitrile gloves
I will post more on antiquing a leather project within a few
days. Be sure to let me know if you have any questions about what I am doing or
have done.
Have fun!
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